<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-6257475677944421487</id><updated>2011-12-25T15:39:12.541-08:00</updated><category term='El perquè d&apos;aquesta assignatura'/><title type='text'>2007 Noves Tecnologies i Relacions Socials</title><subtitle type='html'>Assignatura del curs de doctorat en Antropologia Social any 2007</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://doctoratantropologia.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6257475677944421487/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://doctoratantropologia.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>Grup de persones preocupades pel futur del nostre païs</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/_8ic3CRKkpxM/S2dcmoKG42I/AAAAAAAAAJE/MSmRtRZ52ro/S220/haddock.jpg'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>7</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-6257475677944421487.post-6463606373338601517</id><published>2007-05-20T14:29:00.000-07:00</published><updated>2008-12-11T16:04:14.279-08:00</updated><title type='text'>Visita a Can Suris (Cornellà)</title><content type='html'>&lt;span style=";font-family:Tahoma;font-size:85%;"  &gt;&lt;span style=";font-family:Tahoma;font-size:10;"  lang="CA" &gt;Dimecres a les 16 hores, quedem a  la porta de RENFE de Cornellà, que coincideix amb l’estació del metro de la  línia blava Cornellà Centre. Després anirem caminant, està a deu minuts, fins  l’edifici de Can Suris situat a la Plaça de Can Suris, a la mateixa  carretera d’Esplugues. Us adjunto els planells i els horaris de els trens de  RENFE.  &lt;o:p&gt;&lt;br /&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt; &lt;p class="MsoNormal"&gt;&lt;span style=";font-family:Times New Roman;font-size:100%;"  &gt;&lt;span lang="CA"  style="font-size:12;"&gt;&lt;span style="font-weight: bold;"&gt;Trajecte Renfe:&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left: 35.4pt; text-indent: 35.4pt;"&gt;&lt;span style=";font-family:Times New Roman;font-size:85%;"  &gt;&lt;span lang="CA"  style="font-size:12;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;span lang="CA"  style="font-size:10;"&gt;Sortida :  Plaça Catalunya                                        Arribada:  Cornellà                                Línia                           Durada Trajecte&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;div align="center"&gt; &lt;table class="MsoNormalTable" style="width: 95.78%;" border="0" cellpadding="0" cellspacing="1" width="95%"&gt; &lt;tbody&gt; &lt;tr&gt; &lt;td  style="padding: 0.75pt; background: silver none repeat scroll 0% 50%; -moz-background-clip: -moz-initial; -moz-background-origin: -moz-initial; -moz-background-inline-policy: -moz-initial;color:silver;" bg=""&gt; &lt;p class="MsoNormal" style="text-align: center;" align="center"&gt;&lt;span style=";font-family:Arial;font-size:78%;color:black;"   &gt;&lt;span style=";font-family:Arial;font-size:6;color:black;"   &gt;15.20&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;/td&gt; &lt;td style="padding: 0.75pt; background: rgb(222, 219, 219) none repeat scroll 0% 50%; -moz-background-clip: -moz-initial; -moz-background-origin: -moz-initial; -moz-background-inline-policy: -moz-initial; color: rgb(222, 219, 219);" bg=""&gt; &lt;p class="MsoNormal" style="text-align: center;" align="center"&gt;&lt;span style=";font-family:Arial;font-size:78%;color:black;"   &gt;&lt;span style=";font-family:Arial;font-size:6;color:black;"   &gt;15.32&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;/td&gt; &lt;td style="padding: 0.75pt; background: rgb(200, 222, 236) none repeat scroll 0% 50%; -moz-background-clip: -moz-initial; -moz-background-origin: -moz-initial; -moz-background-inline-policy: -moz-initial; color: rgb(200, 222, 236);" bg=""&gt; &lt;p class="MsoNormal" style="text-align: center;" align="center"&gt;&lt;span style=";font-family:Arial;font-size:78%;color:black;"   &gt;&lt;span style=";font-family:Arial;font-size:6;color:black;"   &gt;C4&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;/td&gt; &lt;td  style="padding: 0.75pt; background: silver none repeat scroll 0% 50%; -moz-background-clip: -moz-initial; -moz-background-origin: -moz-initial; -moz-background-inline-policy: -moz-initial;color:silver;" bg=""&gt; &lt;p class="MsoNormal" style="text-align: center;" align="center"&gt;&lt;span style=";font-family:Arial;font-size:78%;color:black;"   &gt;&lt;span style=";font-family:Arial;font-size:6;color:black;"   &gt;0.12&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;/td&gt;&lt;/tr&gt; &lt;tr&gt; &lt;td  style="padding: 0.75pt; background: silver none repeat scroll 0% 50%; -moz-background-clip: -moz-initial; -moz-background-origin: -moz-initial; -moz-background-inline-policy: -moz-initial;color:silver;" bg=""&gt; &lt;p class="MsoNormal" style="text-align: center;" align="center"&gt;&lt;span style=";font-family:Arial;font-size:78%;color:black;"   &gt;&lt;span style=";font-family:Arial;font-size:6;color:black;"   &gt;15.35&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;/td&gt; &lt;td style="padding: 0.75pt; background: rgb(222, 219, 219) none repeat scroll 0% 50%; -moz-background-clip: -moz-initial; -moz-background-origin: -moz-initial; -moz-background-inline-policy: -moz-initial; color: rgb(222, 219, 219);" bg=""&gt; &lt;p class="MsoNormal" style="text-align: center;" align="center"&gt;&lt;span style=";font-family:Arial;font-size:78%;color:black;"   &gt;&lt;span style=";font-family:Arial;font-size:6;color:black;"   &gt;15.47&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;/td&gt; &lt;td style="padding: 0.75pt; background: rgb(200, 222, 236) none repeat scroll 0% 50%; -moz-background-clip: -moz-initial; -moz-background-origin: -moz-initial; -moz-background-inline-policy: -moz-initial; color: rgb(200, 222, 236);" bg=""&gt; &lt;p class="MsoNormal" style="text-align: center;" align="center"&gt;&lt;span style=";font-family:Arial;font-size:78%;color:black;"   &gt;&lt;span style=";font-family:Arial;font-size:6;color:black;"   &gt;C4&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;/td&gt; &lt;td  style="padding: 0.75pt; background: silver none repeat scroll 0% 50%; -moz-background-clip: -moz-initial; -moz-background-origin: -moz-initial; -moz-background-inline-policy: -moz-initial;color:silver;" bg=""&gt; &lt;p class="MsoNormal" style="text-align: center;" align="center"&gt;&lt;span style=";font-family:Arial;font-size:78%;color:black;"   &gt;&lt;span style=";font-family:Arial;font-size:6;color:black;"   &gt;0.12&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;/td&gt;&lt;/tr&gt; &lt;tr&gt; &lt;td  style="padding: 0.75pt; background: silver none repeat scroll 0% 50%; -moz-background-clip: -moz-initial; -moz-background-origin: -moz-initial; -moz-background-inline-policy: -moz-initial;color:silver;" bg=""&gt; &lt;p class="MsoNormal" style="text-align: center;" align="center"&gt;&lt;span style=";font-family:Arial;font-size:78%;color:black;"   &gt;&lt;span style=";font-family:Arial;font-size:6;color:black;"   &gt;15.38&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;/td&gt; &lt;td style="padding: 0.75pt; background: rgb(222, 219, 219) none repeat scroll 0% 50%; -moz-background-clip: -moz-initial; -moz-background-origin: -moz-initial; -moz-background-inline-policy: -moz-initial; color: rgb(222, 219, 219);" bg=""&gt; &lt;p class="MsoNormal" style="text-align: center;" align="center"&gt;&lt;span style=";font-family:Arial;font-size:78%;color:black;"   &gt;&lt;span style=";font-family:Arial;font-size:6;color:black;"   &gt;15.51&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;/td&gt; &lt;td style="padding: 0.75pt; background: rgb(200, 222, 236) none repeat scroll 0% 50%; -moz-background-clip: -moz-initial; -moz-background-origin: -moz-initial; -moz-background-inline-policy: -moz-initial; color: rgb(200, 222, 236);" bg=""&gt; &lt;p class="MsoNormal" style="text-align: center;" align="center"&gt;&lt;span style=";font-family:Arial;font-size:78%;color:black;"   &gt;&lt;span style=";font-family:Arial;font-size:6;color:black;"   &gt;C1&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;/td&gt; &lt;td  style="padding: 0.75pt; background: silver none repeat scroll 0% 50%; -moz-background-clip: -moz-initial; -moz-background-origin: -moz-initial; -moz-background-inline-policy: -moz-initial;color:silver;" bg=""&gt; &lt;p class="MsoNormal" style="text-align: center;" align="center"&gt;&lt;span style=";font-family:Arial;font-size:78%;color:black;"   &gt;&lt;span style=";font-family:Arial;font-size:6;color:black;"   &gt;0.13&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;/td&gt;&lt;/tr&gt; &lt;tr&gt; &lt;td  style="padding: 0.75pt; background: silver none repeat scroll 0% 50%; -moz-background-clip: -moz-initial; -moz-background-origin: -moz-initial; -moz-background-inline-policy: -moz-initial;color:silver;" bg=""&gt; &lt;p class="MsoNormal" style="text-align: center;" align="center"&gt;&lt;span style=";font-family:Arial;font-size:78%;color:black;"   &gt;&lt;span style=";font-family:Arial;font-size:6;color:black;"   &gt;15.50&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;/td&gt; &lt;td style="padding: 0.75pt; background: rgb(222, 219, 219) none repeat scroll 0% 50%; -moz-background-clip: -moz-initial; -moz-background-origin: -moz-initial; -moz-background-inline-policy: -moz-initial; color: rgb(222, 219, 219);" bg=""&gt; &lt;p class="MsoNormal" style="text-align: center;" align="center"&gt;&lt;span style=";font-family:Arial;font-size:78%;color:black;"   &gt;&lt;span style=";font-family:Arial;font-size:6;color:black;"   &gt;16.02&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;/td&gt; &lt;td style="padding: 0.75pt; background: rgb(200, 222, 236) none repeat scroll 0% 50%; -moz-background-clip: -moz-initial; -moz-background-origin: -moz-initial; -moz-background-inline-policy: -moz-initial; color: rgb(200, 222, 236);" bg=""&gt; &lt;p class="MsoNormal" style="text-align: center;" align="center"&gt;&lt;span style=";font-family:Arial;font-size:78%;color:black;"   &gt;&lt;span style=";font-family:Arial;font-size:6;color:black;"   &gt;C4&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;/td&gt; &lt;td  style="padding: 0.75pt; background: silver none repeat scroll 0% 50%; -moz-background-clip: -moz-initial; -moz-background-origin: -moz-initial; -moz-background-inline-policy: -moz-initial;color:silver;" bg=""&gt; &lt;p class="MsoNormal" style="text-align: center;" align="center"&gt;&lt;span style=";font-family:Arial;font-size:78%;color:black;"   &gt;&lt;span style=";font-family:Arial;font-size:6;color:black;"   &gt;0.12&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;/div&gt;&lt;span style=";font-family:Tahoma;font-size:85%;"  &gt;&lt;span style=";font-family:Tahoma;font-size:10;"  lang="CA" &gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_8ic3CRKkpxM/RlDAXErk7aI/AAAAAAAAAAM/uULI-tgICX8/s1600-h/Planell+metro.bmp"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 478px; height: 269px;" src="http://3.bp.blogspot.com/_8ic3CRKkpxM/RlDAXErk7aI/AAAAAAAAAAM/uULI-tgICX8/s320/Planell+metro.bmp" alt="" id="BLOGGER_PHOTO_ID_5066761083417849250" border="0" /&gt;&lt;/a&gt;&lt;p class="MsoNormal"&gt;&lt;span style=";font-family:Tahoma;font-size:85%;"  &gt;&lt;span style=";font-family:Tahoma;font-size:10;"  lang="CA" &gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_8ic3CRKkpxM/RlDC1krk7cI/AAAAAAAAAAc/84ixx40O3Dk/s1600-h/Planell+Cornella.bmp"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 485px; height: 362px;" src="http://1.bp.blogspot.com/_8ic3CRKkpxM/RlDC1krk7cI/AAAAAAAAAAc/84ixx40O3Dk/s320/Planell+Cornella.bmp" alt="" id="BLOGGER_PHOTO_ID_5066763806427114946" border="0" /&gt;&lt;/a&gt;&lt;p class="MsoNormal"&gt;&lt;span style=";font-family:Tahoma;font-size:85%;"  &gt;&lt;span style=";font-family:Tahoma;font-size:10;"  lang="CA" &gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_8ic3CRKkpxM/RlDBQkrk7bI/AAAAAAAAAAU/0D57__IafCw/s1600-h/Planell+Cornella+Renfe.bmp"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 549px; height: 288px;" src="http://1.bp.blogspot.com/_8ic3CRKkpxM/RlDBQkrk7bI/AAAAAAAAAAU/0D57__IafCw/s320/Planell+Cornella+Renfe.bmp" alt="" id="BLOGGER_PHOTO_ID_5066762071260327346" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6257475677944421487-6463606373338601517?l=doctoratantropologia.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6257475677944421487/posts/default/6463606373338601517'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6257475677944421487/posts/default/6463606373338601517'/><link rel='alternate' type='text/html' href='http://doctoratantropologia.blogspot.com/2007/05/visita-can-suris-cornell.html' title='Visita a Can Suris (Cornellà)'/><author><name>Grup de persones preocupades pel futur del nostre païs</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/_8ic3CRKkpxM/S2dcmoKG42I/AAAAAAAAAJE/MSmRtRZ52ro/S220/haddock.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_8ic3CRKkpxM/RlDAXErk7aI/AAAAAAAAAAM/uULI-tgICX8/s72-c/Planell+metro.bmp' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-6257475677944421487.post-5699030487898775421</id><published>2007-05-09T23:27:00.000-07:00</published><updated>2007-05-09T23:31:41.404-07:00</updated><title type='text'>Etnografia virtual: telecentres</title><content type='html'>&lt;ul&gt;&lt;li&gt;&lt;pre&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;span style="font-family: times new roman;"&gt;Explorar xarxa&lt;/span&gt;&lt;/pre&gt;&lt;/li&gt;&lt;li&gt;&lt;pre&gt;&lt;span style="font-family: times new roman;"&gt;&lt;/span&gt;&lt;o:p style="font-family: times new roman;"&gt;&lt;/o:p&gt;&lt;span style="font-family: times new roman;"&gt;Cercar un objecte d'estudi en l'àmbit d'un o diversos telecentres,&lt;/span&gt;&lt;span style="font-family: times new roman;"&gt;  &lt;/span&gt;&lt;span style="font-family: times new roman;"&gt;serveis, aprenentatges, difusió,&lt;/span&gt;&lt;o:p style="font-family: times new roman;"&gt;&lt;/o:p&gt;&lt;br /&gt;&lt;span style="font-family: times new roman;"&gt;&lt;/span&gt;&lt;/pre&gt;&lt;/li&gt;&lt;li&gt;&lt;pre&gt;&lt;span style="font-family: times new roman;"&gt;Classificar característiques i denominacions &lt;/span&gt;&lt;o:p style="font-family: times new roman;"&gt;&lt;/o:p&gt;&lt;br /&gt;&lt;span style="font-family: times new roman;"&gt;&lt;/span&gt;&lt;/pre&gt;&lt;/li&gt;&lt;li&gt;&lt;pre&gt;&lt;span style="font-family: times new roman;"&gt;Vincular amb teories antropológiques&lt;/span&gt;&lt;o:p style="font-family: times new roman;"&gt;&lt;/o:p&gt;&lt;br /&gt;&lt;span style="font-family: times new roman;"&gt;&lt;/span&gt;&lt;/pre&gt;&lt;/li&gt;&lt;li&gt;&lt;pre&gt;&lt;span style="font-family: times new roman;"&gt;Descripció etnogràfica&lt;/span&gt;&lt;o:p style="font-family: times new roman;"&gt;&lt;/o:p&gt;&lt;br /&gt;&lt;span style="font-family: times new roman;"&gt;&lt;/span&gt;&lt;/pre&gt;&lt;/li&gt;&lt;li&gt;&lt;pre&gt;&lt;span style="font-family: times new roman;"&gt;Establir diferències, mancances i avantatges respecte al modus o habitus offline&lt;/span&gt;&lt;o:p style="font-family: times new roman;"&gt;&lt;/o:p&gt;&lt;br /&gt;&lt;span style="font-family: times new roman;"&gt;&lt;/span&gt;&lt;/pre&gt;&lt;/li&gt;&lt;li&gt;&lt;pre&gt;&lt;span style="font-family: times new roman;"&gt;Analitzar valors culturals afegits&lt;/span&gt;&lt;o:p style="font-family: times new roman;"&gt;&lt;/o:p&gt;&lt;span style="font-family: times new roman;"&gt;Fer prospectiva d'altre serveis per dinamitzar les xarxes ciutadanes.&lt;/span&gt;&lt;span style="font-family: times new roman;"&gt;  &lt;/span&gt;&lt;o:p style="font-family: times new roman;"&gt;&lt;/o:p&gt;&lt;br /&gt;&lt;span style="font-family: times new roman;"&gt;&lt;/span&gt;&lt;/pre&gt;&lt;/li&gt;&lt;li&gt;&lt;pre&gt;&lt;span style="font-family: times new roman;"&gt;Requeriments per activar-ne l'ús&lt;/span&gt;&lt;o:p style="font-family: times new roman;"&gt;&lt;/o:p&gt;&lt;br /&gt;&lt;span style="font-family: times new roman;"&gt;&lt;/span&gt;&lt;/pre&gt;&lt;/li&gt;&lt;li&gt;&lt;pre&gt;&lt;span style="font-family: times new roman;"&gt;Conclusions&lt;/span&gt;&lt;/pre&gt;&lt;/li&gt;&lt;/ul&gt;  &lt;p class="MsoNormal"&gt;&lt;span lang="CA"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6257475677944421487-5699030487898775421?l=doctoratantropologia.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://doctoratantropologia.blogspot.com/feeds/5699030487898775421/comments/default' title='Comentaris del missatge'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6257475677944421487&amp;postID=5699030487898775421' title='0 comentaris'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6257475677944421487/posts/default/5699030487898775421'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6257475677944421487/posts/default/5699030487898775421'/><link rel='alternate' type='text/html' href='http://doctoratantropologia.blogspot.com/2007/05/etnografia-virtual-telecentres.html' title='Etnografia virtual: telecentres'/><author><name>Grup de persones preocupades pel futur del nostre païs</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/_8ic3CRKkpxM/S2dcmoKG42I/AAAAAAAAAJE/MSmRtRZ52ro/S220/haddock.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6257475677944421487.post-434005054270558168</id><published>2007-05-06T10:53:00.000-07:00</published><updated>2007-05-20T15:06:38.604-07:00</updated><title type='text'>Virtual Etnography - Christine Hine pag: 62 - 65</title><content type='html'>To take a connective approach is not to suggest that no bounded locations exist on the Internet, or that the 'being there' is never important on the Internet. As Clifford (1992) and Featherstone (1995) suggest, diverting attention to travel does not mean assuming that everyone is a traveller and nobody dwells any more. This kind of connective ethnography remains agnostic about the 'real' existence of places and categories. Rather than cataloguing the characteristics of Internet communication,· the virtual ethnographer asks, not what is the Internet, but when, where and how is the Internet (Moerman, 1974)? A connective ethnography could be a useful adjunct to space-based approaches. The World Wide Web, as a mixture of varyingly interlinked cultural sites and· cultural connections, could form a model for a new way of orienting an ethnography to the field. This is not to say that web surfing is going to be used to stand in for ethnographic engagement. Following hypertextual links may be part of the strategy, but connectivity is also performed in the borrowing of material and images from other sites and other media, by the authorship and readership of sites, by the portrayals of the Internet in other media, and in myriad other ways. Connection could as well be the juxtaposition of elements in a narrative, the array of pages thrown up by a search engine, or a set of hyperlinks on a web page as an instance of communication between two people. The goal of the ethnography becomes to explore what those links are, how they are performed and what transformations occur en route in a snowballing approach (Bijker, 1995) that insensitive to heterogeneity. Each performance of a connection becomes an invitation to the ethnographer to move on. This suggests an active engagement through exploration and interaction rather than a disengaged textual analysis.&lt;br /&gt;&lt;br /&gt;Accepting a multi-sited or connective notion of ethnography opens up many different ways of designing and conducting an ethnographic project. Choices and movements are made on the basis of strategic and often arbitrary decisions, which dictate the shape and boundaries of the resulting ethnographic object. We end up with a multitude of different sites and sources for studying the Internet, even if we rely only on those most obviously and intuitively relevant. A first attempt at cataloguing sites in which the Internet is enacted and interpreted produces the following non­ exhaustive list:&lt;br /&gt;&lt;br /&gt;web pages&lt;br /&gt;&lt;br /&gt;accounts of making web pages&lt;br /&gt;&lt;br /&gt;instructions on how to make web pages&lt;br /&gt;&lt;br /&gt;programs to help in making web pages&lt;br /&gt;&lt;br /&gt;reviews of web pages&lt;br /&gt;&lt;br /&gt;media reports on Internet events&lt;br /&gt;&lt;br /&gt;magazine s and newspaper supplements devoted to the Internet&lt;br /&gt;&lt;br /&gt;fictionalized accounts of Internet-like technologies&lt;br /&gt;&lt;br /&gt;computer equipment retailers&lt;br /&gt;&lt;br /&gt;software developers&lt;br /&gt;&lt;br /&gt;stock markets&lt;br /&gt;&lt;br /&gt;newsgroups&lt;br /&gt;&lt;br /&gt;MUDs&lt;br /&gt;&lt;br /&gt;IRC&lt;br /&gt;&lt;br /&gt;video conferences&lt;br /&gt;&lt;br /&gt;accounts of the purpose of newsgroups&lt;br /&gt;&lt;br /&gt;Internet service providers' advertising and introductory materials&lt;br /&gt;&lt;br /&gt;Internet gateways and search engines&lt;br /&gt;&lt;br /&gt;homes and workplaces where the Internet is used, and the practices we find here&lt;br /&gt;&lt;br /&gt;training Courses&lt;br /&gt;&lt;br /&gt;conversations between friends, families and work colleagues&lt;br /&gt;&lt;br /&gt;academic Internet studies like this one.&lt;br /&gt;&lt;br /&gt;A holistic understanding of the Internet seems a futile undertaking in the face of this list. However hard the ethnographer works, she or he will only ever partially experience the Internet (Thornton, 1988). The challenge addressed in Chapter 4 is to incorporate as many of these sites and Sources as practicable while retaining a coherent but explicitly partial ethnographic project. What follows is the story of one journey through which an Internet was made, by following connections motivated by the foreshadowed problems in Chapter 1.&lt;br /&gt;&lt;br /&gt;The principles of virtual ethnography&lt;br /&gt;&lt;br /&gt;'This chapter and the preceding one have reviewed literature on ethno­graphic methodology to develop an approach to the Internet which embraces the complexity offered by this form of mediated interaction. In the next three chapters I attempt to flesh out the conc1usions reached in this literature review by discussing a project designed to put this approach into action. First, however, it is worth reiterating the principles for virtual ethnography which form the foundations for the experiment in ethno­graphy described here.&lt;br /&gt;&lt;br /&gt;1.- The sustained presence of an ethnographer in the field setting, com­bined with intensive engagement with the everyday life ofthe inhabitants of the field site, make for the special kind of knowledge we call ethnographic. The ethnographer is able to use this sustained interaction to 'reduce the puzzlement' (Geertz, 1993: 16) which other people's ways of !ife can evoke. At the same time, ethnography can be a device for inducing that same puzzlement by 'displacing the dulling sense of familiarity with which the mysteriousness of our own ability to relate perceptively to one another is concealed from us' (1993: 14). Virtual ethnography is used as a device to render the use of the Internet as problematic: rather than being inherently sensible, the Internet acquires its sensibility in use. The status of the Internet as a way of conmu­nicating, as an object within people's lives and as a site for cornmunity­ like formations is achieved and sustained in the ways in which it is used, interpreted and reinterpreted.&lt;br /&gt;&lt;br /&gt;2.- Interactive media provide a challenge and an opportunity for ethno­graphy, by bringing into question the notion of a site of interaction. Cyberspace is not to be thought of as a space detached from any connections to 'real !ife' and face-to-face interaction. It has rich and complex connections with the contexts in which it is used. It also depends on technologies which are used and understood differently in different contexts, and which have to be acquired, learnt, interpreted and incorporated into context. These technologies show a high degree of interpretive flexibility. Interactive media such as the Internet can be understood as both culture and cultural artefact To concentrate on either aspect to the exc1usion of the other leads to an impoverished view.&lt;br /&gt;&lt;br /&gt;3.- The growth of mediated interaction renders it unnecessary for ethno- • graphy to be thought of as located in particular places, or even as multisided. The investigation of the making and remaking of space through mediated interactions is a major opportunity for the ethnographic approach. We can usefully think of the ethnography of.mediated inter­action as mobile rather than multi-sited.&lt;br /&gt;&lt;br /&gt;4.- As a consequence, the concept of the field site is brought into question.&lt;br /&gt;If culture and community are not self-evidently located in place, then neither is ethnography. The object of ethnographic enquiry can usefully be reshaped by concentrating on flow and connectivity rather than location and boundary as the organizing principle.&lt;br /&gt;&lt;br /&gt;5.- Boundaries are not assumed a priori but explored through the course of the ethnography. The challenge of virtual ethnography is to explore the making of boundaries and the making of connections, especially between the 'virtual' and the 'real'. Along with this goes the problem of knowing when to stop. If the concept of ethnography (and/or culture) as having natural boundaries is abandoned for analytic purposes, we can also abandon the idea of a whole ethnography of a given object. Stopping the ethnography becomes a pragmatic decision. The ethno­graphic object itself can be reformulated with each decision to either follow yet another connection or retrace steps to a previous point. Practically it is limited by the embodied ethnographer's constraints in time, space and ingenuity.&lt;br /&gt;&lt;br /&gt;6.-. Along with spatial dislocation comes temporal dislocation. Engage­ment with mediated contexts is interspersed with interactions in other spheres and with other media. Virtual ethnography is interstitial, in that it fits into the other activities of both ethnographer and subjects. Irnmersion in the setting is only intermittently achieved.&lt;br /&gt;&lt;br /&gt;7.-. Virtual ethnography is necessarily partial!. A holistic description of any informant, location or culture is impossible to achieve. The notion of pre-existing, isolable and describable informants, locales and cultures is set aside. Our accounts can be based on ideas of strategic relevance rather than faithful representations of objective realities.&lt;br /&gt;&lt;br /&gt;8.- Virtual ethnography involves intensive engagement with mediated interaction. This kind of engagement adds a new dimension to the exploration of the use of the medium in context. The ethnographer's engagement with the medium is a valuable source of insight. Virtual ethnography can usefully draw on ethnographer as informant and embrace the reflexive dimension. The shaping of interactions with informants by the technology is part of the ethnography, as are the ethnographer's interactions with the technology.&lt;br /&gt;&lt;br /&gt;9.- New technologies of interaction make it possible both for informants to be absent and to render them present within the ethnography. In the same way, the ethnographer is both absent from and present with informants. The technology enables these relationships to be fleeting or sustained and to be carried out across temporal and spatial divides. AII forms of interaction are ethnographically valid, not just the face-to face. The shaping of the ethnographic object as it is made possible by the available technologies is the ethnography. This is ethnography in, 01 and through the virtual.&lt;br /&gt;&lt;br /&gt;10.- Virtual ethnography is not only virtual in the sense of being disem­bodied. Virtuality also carries a connotation of 'not quite', adequate for practical purposes even if not strictly the real thing (although this definition of virtuality is often suppressed in favour of its trendier alternative). Virtual ethnography is adequate for the practical purpose of exploring the relations of mediated interaction, even if not quite the real thing in methodologically purist terms. It is an adaptive ethno­graphy which sets out to suit itself to the conditions in which it finds itself.&lt;br /&gt;&lt;br /&gt;Principles 1 to 9 should follow fairly self-evidently from the discussions of this chapter and the previous one, and follow on from some of the main currents in ethnographic thinking discussed in those chapters. Principle 10, however, probably needs further explanation. Ethnography always has been adaptive to the conditions in which it finds itself. This ma)". help to explain the traditional reluctance of ethnographers to give advice to those about to start fieldwork. There are no sets of rules to follow in order to conduct the perfect ethnography, and defining the fundamental compo­nents of the ethnographic approach is unhelpful. The focus of ethnography&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6257475677944421487-434005054270558168?l=doctoratantropologia.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://doctoratantropologia.blogspot.com/feeds/434005054270558168/comments/default' title='Comentaris del missatge'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6257475677944421487&amp;postID=434005054270558168' title='0 comentaris'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6257475677944421487/posts/default/434005054270558168'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6257475677944421487/posts/default/434005054270558168'/><link rel='alternate' type='text/html' href='http://doctoratantropologia.blogspot.com/2007/05/virtual-etnography-christine-hine-pag.html' title='Virtual Etnography - Christine Hine pag: 62 - 65'/><author><name>Grup de persones preocupades pel futur del nostre païs</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/_8ic3CRKkpxM/S2dcmoKG42I/AAAAAAAAAJE/MSmRtRZ52ro/S220/haddock.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6257475677944421487.post-5693369233561970174</id><published>2007-03-04T11:40:00.003-08:00</published><updated>2007-05-06T11:26:42.959-07:00</updated><title type='text'>Webgrafia</title><content type='html'>&lt;span style="font-weight: bold;font-family:arial;" &gt;Webs de referència&lt;/span&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://www.naya.org.ar/congreso/ponencia1-26.htm"&gt;&lt;span lang="CA"&gt;&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;ul style="font-family: arial;"&gt;&lt;li&gt;&lt;a href="http://www.cibersociedad.net/"&gt;www.cibersociedad.net&lt;/a&gt;  Observatori per a la Cibesocietat&lt;/li&gt;&lt;li&gt;&lt;a href="http://www.xarxa365.net/"&gt;www.xarxa365.net&lt;/a&gt;  Xarxa de Telecentres de Catalunya&lt;/li&gt;&lt;li&gt;&lt;a href="http://www.comunidaddetelecentros.net/"&gt;www.comunidaddetelecentros.es  &lt;/a&gt;Comunitat de telecentres espanyols&lt;/li&gt;&lt;li&gt;&lt;a href="http://www.telecentros.es/"&gt;www.telecentros.es&lt;/a&gt;  Telecentres de l'empresa Red.es&lt;/li&gt;&lt;li&gt;&lt;a href="http://www.fundacion.telefonica.com/forum/publicaciones.html"&gt;Claves de la Alfabetización Digital.&lt;/a&gt; Col·lecció Fundació Telefònica. Editorial Ariel&lt;br /&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="http://www.lessig.org/"&gt;Pagina del professor Lawrence Lessig&lt;br /&gt;&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="http://www.uned.es/etnovirtual/"&gt;Etnovirtual&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="http://estalella.wordpress.com/tag/etnografia/"&gt;Blog d'Adolfo Estalella&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="http://etnovirtual.wordpress.com/"&gt;Etnovirtual&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="http://eardevol.wordpress.com/etnografia/"&gt;Mediaciones. Antropología de los media.&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="http://www.uoc.edu/in3/gircom/"&gt;http://www.uoc.edu/in3/gircom/&lt;/a&gt;  Grup de Recerca Gircom&lt;br /&gt;&lt;/li&gt;&lt;/ul&gt;&lt;span style="font-weight: bold;font-family:arial;" &gt;&lt;br /&gt;Articles&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;ul&gt;&lt;li style="font-weight: bold;font-family:arial;" &gt;&lt;h3 class="post-title"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-weight: normal;"&gt;&lt;a href="http://karmapeiro.blogspot.com/2006/04/las-redes-de-telecentros-en-espaa-una.html"&gt;   Las redes de telecentros en España. Una historia por contar...&lt;/a&gt;  Karma Peiró  (llibre en PDF)&lt;/span&gt;&lt;/span&gt;&lt;/h3&gt;&lt;/li&gt;&lt;li style="font-weight: bold;font-family:arial;" &gt;&lt;h3 class="post-title"&gt;&lt;span style="font-size:85%;"&gt;&lt;a href="http://www.naya.org.ar/congreso/ponencia1-26.htm"&gt;&lt;span style="font-weight: normal;" lang="CA"&gt;Dentro y fuera de la pantalla. &lt;/span&gt;&lt;span lang="CA"&gt;Apuntes para una Etnografía del Ciberespacio.&lt;/span&gt;&lt;/a&gt; José Luis Picciuolo Valls&lt;/span&gt;&lt;/h3&gt;&lt;/li&gt;&lt;li style="font-weight: bold;font-family:arial;" &gt;&lt;h3 class="post-title"&gt;&lt;span lang="CA"  style="font-size:85%;"&gt;&lt;a href="http://www.uoc.edu/in3/dt/20088/20088.pdf"&gt;El aprendizaje como identidad de participación en la práctica de una comunidad virtual.&lt;/a&gt; Antonio Garrido&lt;/span&gt;&lt;/h3&gt;&lt;/li&gt;&lt;li style="font-weight: bold;font-family:arial;" &gt;&lt;span lang="CA"  style="font-size:85%;"&gt;&lt;a href="http://www.cibersociedad.net/congreso/comms/c10tellez.htm"&gt;Nuevas etnografías y ciberespacio: reformulaciones metodológicas&lt;/a&gt;.&lt;/span&gt;&lt;span lang="CA"  style="font-size:85%;"&gt; Anastasia Téllez Infantes&lt;/span&gt;&lt;/li&gt;&lt;li style="font-weight: bold;font-family:arial;" &gt;&lt;span style="font-size:85%;"&gt;&lt;a href="http://www.cibersociedad.net/archivo/articulo.php?art=208"&gt;&lt;span class="subtitol4"&gt;Internet y ciberespacio en el estudio de comunidades diaspóricas: análisis de una experiencia&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;span class="subtitol3"  style="font-size:85%;"&gt;. Natalia Moraes Mena&lt;/span&gt;&lt;/li&gt;&lt;li style="font-weight: bold;font-family:arial;" &gt;&lt;span class="subtitol3"  style="font-size:85%;"&gt;&lt;a href="http://gedisa-mexico.com/libros/GGE397.HTM"&gt;Genero Chat&lt;/a&gt;. Joan Mayans i Planells&lt;/span&gt;&lt;/li&gt;&lt;li style="font-weight: bold;font-family:arial;" &gt;&lt;span lang="CA"  style="font-size:85%;"&gt;&lt;a href="http://cibercampo.blogspot.com/2006/08/el-campo-de-estudio-de-la-etnografa.html"&gt;El campo de estudio de la etnografía virtual no es (sólo) el ciberespacio...&lt;/a&gt;  Daniel Domingez&lt;/span&gt;&lt;/li&gt;&lt;li style="font-family: arial; font-weight: bold;"&gt;&lt;span lang="CA"  style="font-size:85%;"&gt;&lt;a href="http://www.naya.org.ar/articulos/cibercultura.htm"&gt;Ponencies del I Congrés Virtual Naya sobre Cibercultura&lt;/a&gt;&lt;/span&gt;&lt;/li&gt;&lt;li style="font-family: arial; font-weight: bold;"&gt;&lt;span lang="CA"  style="font-size:85%;"&gt;&lt;a href="http://www.cibersocietat.net/congres2006/gts/comunicacio.php?id=772&amp;llengua=es"&gt;Etnografia Virtual, Etnografia Banal&lt;/a&gt;.  Joan Mayans III Congrés de l'Observatori per a la Cibersocietat&lt;/span&gt;&lt;/li&gt;&lt;li style="font-family: arial; font-weight: bold;"&gt;&lt;span style="font-size:85%;"&gt;&lt;a href="http://www.wikilearning.com/viejas_etnografias-wkccp-3815-6.htm"&gt;Nuevas Tecnologías, Viejas Etnografías. Objeto y método de la antropología del ciberespacio.&lt;/a&gt;  Joan Mayans&lt;/span&gt;&lt;/li&gt;&lt;li style="font-weight: bold;"&gt;&lt;span style="font-size:85%;"&gt;&lt;a href="http://www.bibliosperu.com/articulos/23/2005_19.pdf"&gt;Etnografía un enfoque para la investigación de weblogs en Biblioteconomía y Documentación&lt;/a&gt;  Mariela Ferrada Cubillos&lt;/span&gt;&lt;/li&gt;&lt;li style="font-weight: bold;"&gt;&lt;span style="font-size:85%;"&gt;&lt;a href="http://cibersociedad.rediris.es/congreso/comms/g10tellez.pdf"&gt;El investigador en la sociedad digitalizada&lt;/a&gt;.  Jordi Colombrans&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span style="font-weight: bold;font-size:85%;" &gt;&lt;a href="http://karlitagutierrezlacibercultura.blogspot.com/"&gt;La Cibercultura&lt;/a&gt;.  Carla Gutierrez&lt;/span&gt;&lt;br /&gt;&lt;/li&gt;&lt;/ul&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6257475677944421487-5693369233561970174?l=doctoratantropologia.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://doctoratantropologia.blogspot.com/feeds/5693369233561970174/comments/default' title='Comentaris del missatge'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6257475677944421487&amp;postID=5693369233561970174' title='0 comentaris'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6257475677944421487/posts/default/5693369233561970174'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6257475677944421487/posts/default/5693369233561970174'/><link rel='alternate' type='text/html' href='http://doctoratantropologia.blogspot.com/2007/03/webgrafia.html' title='Webgrafia'/><author><name>Grup de persones preocupades pel futur del nostre païs</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/_8ic3CRKkpxM/S2dcmoKG42I/AAAAAAAAAJE/MSmRtRZ52ro/S220/haddock.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6257475677944421487.post-7730713337166110178</id><published>2007-03-04T11:40:00.001-08:00</published><updated>2007-05-06T10:53:39.320-07:00</updated><title type='text'>Bibliografia</title><content type='html'>&lt;span style="font-weight: bold;"&gt;Bibliografia Maria Jesús Buxó&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;     &lt;p class="MsoNormal"&gt;&lt;b style=""&gt;&lt;span style="font-size:11;"&gt;&lt;/span&gt;&lt;/b&gt;&lt;span style="font-size:11;"&gt;&lt;span style=""&gt; &lt;/span&gt;Prospectiva Antropológica.&lt;span style=""&gt;  &lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;b style=""&gt;&lt;span style="font-size:11;"&gt;&lt;/span&gt;&lt;/b&gt;&lt;span style="font-size:11;"&gt;En: Antropología, Una exploración de la diversidad humana con temas de cultura hispana. MacGraw Hill Interamericana&lt;span style="font-weight: bold;"&gt;,&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;b style=""&gt;&lt;span style="font-size:11;"&gt;&lt;/span&gt;&lt;/b&gt;&lt;span style="font-size:11;"&gt;&lt;span style=""&gt;&lt;/span&gt;&lt;span style=""&gt;&lt;/span&gt; 1994&lt;span style=""&gt;  ,&lt;/span&gt;Madrid&lt;span style=""&gt;   &lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;        &lt;p class="MsoNormal"&gt;&lt;span style="font-size:11;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;span style="font-size:11;"&gt;Antropología, prospectiva y nuevas tecnologías&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;b style=""&gt;&lt;span style="font-size:11;"&gt;&lt;/span&gt;&lt;/b&gt;&lt;span style="font-size:11;"&gt;Ensayos de Antropología Cultural. &lt;/span&gt;&lt;span lang="ES-TRAD"  style="font-size:11;"&gt;J. Prat (comp.) Editorial Ariel&lt;span style=""&gt; , &lt;/span&gt;&lt;/span&gt;&lt;b style=""&gt;&lt;span style="font-size:11;"&gt;&lt;/span&gt;&lt;/b&gt;&lt;span style="font-size:11;"&gt;&lt;span style=""&gt;&lt;/span&gt;&lt;span style=""&gt;&lt;/span&gt;1996&lt;span style=""&gt;, &lt;/span&gt;Barcelona&lt;span style=""&gt;   &lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;span style="font-size:11;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;b style=""&gt;&lt;span style="font-size:11;"&gt;&lt;/span&gt;&lt;/b&gt;&lt;span style="font-size:11;"&gt;De la definición de cultura en plural a las redes transculturales.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;b style=""&gt;&lt;span style="font-size:11;"&gt;&lt;/span&gt;&lt;/b&gt;&lt;span style="font-size:11;"&gt;&lt;br /&gt;Revista L'Avenç,&lt;span style=""&gt;  &lt;/span&gt;Número&lt;b style=""&gt;:&lt;/b&gt; 226&lt;span style=""&gt; &lt;span style="font-weight: bold;"&gt; &lt;/span&gt;&lt;/span&gt;pàgines&lt;span style="font-weight: bold;"&gt; &lt;/span&gt;20 -  24&lt;span style=""&gt;  &lt;/span&gt;&lt;/span&gt;&lt;b style=""&gt;&lt;span style="font-size:11;"&gt;, &lt;/span&gt;&lt;/b&gt;&lt;span style="font-size:11;"&gt; 1998&lt;span style=""&gt;,&lt;/span&gt; Barcelona&lt;span style=""&gt;   &lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;b style=""&gt;&lt;span style="font-size:11;"&gt;&lt;/span&gt;&lt;/b&gt;&lt;span style="font-size:11;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;span style="font-size:11;"&gt; Tecnologies Intel·ligents i Innovació de valors&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;b style=""&gt;&lt;span style="font-size:11;"&gt;&lt;/span&gt;&lt;/b&gt;&lt;span style="font-size:11;"&gt;&lt;br /&gt;Valors i diversitat cultural a les societats d'Europa i del Zagreb, A. Roque (comp.) Institut Estudis Meditarranis&lt;/span&gt;&lt;span style="font-size:11;"&gt;, 1998&lt;span style=""&gt; ,&lt;/span&gt; Barcelona&lt;span style=""&gt;   &lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;b style=""&gt;&lt;span style="font-size:11;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;span style="font-size:11;"&gt;&lt;br /&gt;Culture en el ciberespai: envers una societat digitalitzada.&lt;span style=""&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:11;"&gt;Revista d’ Etnología de Catalunya,  &lt;/span&gt;&lt;b style=""&gt;&lt;span style="font-size:11;"&gt;&lt;/span&gt;&lt;/b&gt;&lt;span style="font-size:11;"&gt;1999&lt;span style=""&gt;,  &lt;/span&gt;Barcelona&lt;span style=""&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:11;"&gt;&lt;span style=""&gt; &lt;/span&gt;&lt;/span&gt;            &lt;p class="MsoNormal"&gt;&lt;span style="font-size:11;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;span style="font-size:11;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;span style="font-size:11;"&gt;Tecnologíes intel·lectuals. Soports interactius, extensius i virtuals de la cognició i la cultura.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;b style=""&gt;&lt;span style="font-size:11;"&gt;&lt;/span&gt;&lt;/b&gt;&lt;span style="font-size:11;"&gt;Revista de Etnología de Catalunya, Número: 14&lt;span style=""&gt;, &lt;/span&gt;&lt;span style=""&gt;&lt;/span&gt;&lt;span style=""&gt;&lt;/span&gt; 1999&lt;span style=""&gt;,&lt;/span&gt;&lt;span style=""&gt;  &lt;/span&gt;Barcelona&lt;span style=""&gt;  &lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;      &lt;p class="MsoNormal"&gt;&lt;span style="font-size:11;"&gt;&lt;span style=""&gt;&lt;/span&gt;Transactividad biotecnocultural: naturaleza, artificialidad y tecnologías inteligentes&lt;/span&gt;&lt;br /&gt;&lt;b style=""&gt;&lt;span style="font-size:11;"&gt;&lt;/span&gt;&lt;/b&gt;&lt;span style="font-size:11;"&gt;&lt;/span&gt;&lt;span style=";font-size:11;color:black;"  lang="ES-TRAD" &gt;Estructura y cambio social.&lt;span style=""&gt;  &lt;/span&gt;&lt;/span&gt;&lt;span style=";font-size:11;color:black;"  lang="FR" &gt;M. A. Durán, et al. &lt;/span&gt;&lt;span style=";font-size:11;color:black;"  lang="ES-TRAD" &gt;(eds.)&lt;span style=""&gt;  &lt;/span&gt;CIS.&lt;/span&gt;&lt;b style=""&gt;&lt;span style="font-size:11;"&gt;&lt;/span&gt;&lt;/b&gt;&lt;span style="font-size:11;"&gt;&lt;span style=""&gt;&lt;/span&gt;&lt;span style=""&gt;&lt;/span&gt; 2001&lt;span style=""&gt;,&lt;/span&gt; Madrid &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;        &lt;p class="MsoNormal"&gt;&lt;b style=""&gt;&lt;span style="font-size:11;"&gt;&lt;/span&gt;&lt;/b&gt;&lt;span style="font-size:11;"&gt;&lt;span style=""&gt;&lt;/span&gt;La bioética y la tecnoética como diseño de futuros culturales&lt;/span&gt;&lt;br /&gt;&lt;b style=""&gt;&lt;span style="font-size:11;"&gt;&lt;/span&gt;&lt;/b&gt;&lt;span style="font-size:11;"&gt;&lt;span style=""&gt;&lt;/span&gt;Antropología del Mediterráneo,&lt;span style=""&gt;   &lt;/span&gt;L. Alvarez Munarriz&lt;span style=""&gt;  &lt;/span&gt;y F. Antón (eds.)&lt;span style=""&gt;  &lt;/span&gt;Ediciones Universidad de Murcia&lt;span style="font-weight: bold;"&gt;, &lt;/span&gt;&lt;/span&gt;&lt;b style=""&gt;&lt;span style="font-size:11;"&gt;&lt;/span&gt;&lt;/b&gt;&lt;span style="font-size:11;"&gt;&lt;span style=""&gt;&lt;/span&gt;&lt;span style=""&gt;&lt;/span&gt;2001&lt;span style=""&gt;,&lt;/span&gt; Murcia &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;b style=""&gt;&lt;span style="font-size:11;"&gt;&lt;/span&gt;&lt;/b&gt;&lt;span style="font-size:11;"&gt;&lt;/span&gt;    &lt;p class="MsoNormal"&gt;&lt;b style=""&gt;&lt;span style="font-size:11;"&gt;&lt;/span&gt;&lt;/b&gt;&lt;span style="font-size:11;"&gt;&lt;span style=""&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=";font-size:11;color:black;"  lang="ES-TRAD" &gt;Paisajes tecnosociales y diseño de futuros culturales: ¿tecnoética o cultura tecnomoral&lt;/span&gt;&lt;br /&gt;&lt;b style=""&gt;&lt;span style="font-size:11;"&gt;&lt;/span&gt;&lt;/b&gt;&lt;span style="font-size:11;"&gt;&lt;/span&gt;&lt;i style=""&gt;&lt;span style=";font-size:11;color:black;"  lang="ES-TRAD" &gt;Tecnología, Ética y Futuro&lt;/span&gt;&lt;/i&gt;&lt;span style=";font-size:11;color:black;"  lang="ES-TRAD" &gt;.&lt;span style=""&gt;  &lt;/span&gt;Barcelona,&lt;span style=""&gt;  &lt;/span&gt;J.M. Esquirol (comp.) Editorial&lt;/span&gt;&lt;span lang="ES-TRAD"  style="font-size:11;"&gt; &lt;/span&gt;&lt;span style=";font-size:11;color:black;"  lang="ES-TRAD" &gt;Desclée De Brouwer&lt;/span&gt;&lt;span style="font-size:11;"&gt;,  2001&lt;span style=""&gt;   &lt;/span&gt;Barcelona &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;span style="font-size:11;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;b style=""&gt;&lt;span style="font-size:11;"&gt;&lt;/span&gt;&lt;/b&gt;&lt;span style="font-size:11;"&gt;&lt;span style=""&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style=";font-size:11;color:black;"  lang="ES-TRAD" &gt;La conjunción aplicada dels “co-“: comités, col.laboracions, col.legues, co-operacions, co-generació i co-gestió de dades i problemes. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;b style=""&gt;&lt;span style="font-size:11;"&gt;&lt;/span&gt;&lt;/b&gt;&lt;span style="font-size:11;"&gt;&lt;span style=""&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=";font-size:11;color:black;"  lang="ES-TRAD" &gt;Revista d’Etnologia de Catalunya,  &lt;/span&gt;&lt;b style=""&gt;&lt;span style="font-size:11;"&gt;&lt;/span&gt;&lt;/b&gt;&lt;span style="font-size:11;"&gt;&lt;span style=""&gt;&lt;/span&gt;&lt;span style=""&gt;&lt;/span&gt;&lt;span style=""&gt;&lt;/span&gt; 2002&lt;span style=""&gt;,&lt;/span&gt; Barcelona&lt;span style=""&gt;             &lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;        &lt;p class="MsoNormal"&gt;&lt;span style="font-size:11;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;span style="font-size:11;"&gt;&lt;span style=""&gt;&lt;/span&gt;Mujer y Nuevas Tecnologías: entre el riesgo, el diseño cultural y la confianza social. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;b style=""&gt;&lt;span style="font-size:11;"&gt;&lt;/span&gt;&lt;/b&gt;&lt;span style="font-size:11;"&gt;Globalización y mujer.&lt;span style=""&gt;  &lt;/span&gt;Fundación Pablo Iglesias.&lt;/span&gt;&lt;b style=""&gt;&lt;span style="font-size:11;"&gt;&lt;/span&gt;&lt;/b&gt;&lt;span style="font-size:11;"&gt;&lt;span style=""&gt;&lt;/span&gt;&lt;span style=""&gt;&lt;/span&gt; 2002&lt;span style=""&gt;,&lt;/span&gt; Madrid.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;        &lt;p class="MsoNormal"&gt;&lt;span style="font-size:11;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;span lang="ES-TRAD"  style="font-size:11;"&gt;Science in a cultural key&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;b style=""&gt;&lt;span lang="ES-TRAD"  style="font-size:11;"&gt;.&lt;/span&gt;&lt;/b&gt;&lt;span lang="ES-TRAD"  style="font-size:11;"&gt;&lt;span style=""&gt; &lt;/span&gt;Contributions to Science,&lt;span style=""&gt;  &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:11;"&gt;Número&lt;/span&gt;&lt;span style="font-size:11;"&gt;&lt;span&gt;:&lt;/span&gt;&lt;span style=""&gt;  &lt;/span&gt;2&lt;span style=""&gt;  &lt;/span&gt;(4)&lt;span style=""&gt; &lt;/span&gt; 2003,  Barcelona&lt;span style=""&gt;   &lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;      &lt;p class="MsoNormal"&gt;&lt;span style="font-size:11;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;b style=""&gt;&lt;span lang="ES-TRAD"  style="font-size:11;"&gt;&lt;/span&gt;&lt;/b&gt;&lt;span lang="ES-TRAD"  style="font-size:11;"&gt;&lt;span style=""&gt;&lt;/span&gt;Indiferencia, observación y colaboración: formas de aplicar antropología&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;b style=""&gt;&lt;span lang="ES-TRAD"  style="font-size:11;"&gt;&lt;/span&gt;&lt;/b&gt;&lt;span lang="ES-TRAD"  style="font-size:11;"&gt;&lt;span style=""&gt; &lt;/span&gt;Actas del VI Español de Antropología Aplicada, Editorial Universidad de Granada &lt;/span&gt;&lt;b style=""&gt;&lt;span style="font-size:11;"&gt;&lt;span style=""&gt;&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;span style="font-size:11;"&gt;Pàgina inicial&lt;/span&gt;&lt;span style="font-size:11;"&gt;: 36&lt;span style=""&gt;  &lt;/span&gt;Pàgina final:&lt;span style=""&gt;  &lt;/span&gt;52&lt;span style=""&gt;  &lt;/span&gt;Año: 2003, Ciutat: Granada&lt;span style=""&gt;   &lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;        &lt;p class="MsoNormal"&gt;&lt;b style=""&gt;&lt;span style="font-size:11;"&gt;&lt;/span&gt;&lt;/b&gt;&lt;span style="font-size:11;"&gt;&lt;span style=""&gt;&lt;/span&gt;A nuevas tecnologías, nuevas políticas. Riesgo, responsabilidad y participación: paisajes tecnoculturales y diseño de futuros sociales.&lt;/span&gt;&lt;b style=""&gt;&lt;span style="font-size:11;"&gt;&lt;/span&gt;&lt;/b&gt;&lt;span style="font-size:11;"&gt; El ayer y el hoy: Lecturas de antropología política.&lt;span style=""&gt;  &lt;/span&gt;Volumen II: El futuro.&lt;span style=""&gt;  &lt;/span&gt;Aurora Marquina Espinosa (comp.)&lt;span style=""&gt;  &lt;/span&gt;UNED&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;Pàgina inicial&lt;/span&gt;&lt;span style="font-size:11;"&gt;: 213 Pàgina final: 227  &lt;span style=""&gt;&lt;/span&gt;2004, Ciutat: Madrid&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;        &lt;p class="MsoNormal"&gt;&lt;span lang="ES-TRAD"  style="font-size:11;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;span style="font-size:11;"&gt;Pro/tesis del cuerpo: claves estéticas para una antropología androide y biónica&lt;/span&gt;&lt;br /&gt;&lt;b style=""&gt;&lt;span style="font-size:11;"&gt;&lt;/span&gt;&lt;/b&gt;&lt;span style="font-size:11;"&gt;&lt;span style=""&gt;&lt;/span&gt;Arte, Arquitectura y Sociedad Digital.&lt;span style=""&gt;  &lt;/span&gt;L. Cirlot, A. Casanovas, M.J. Buxó, A. Estevez (compl.)&lt;span style=""&gt;  &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:11;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-size:11;"&gt;Pàgina inicial&lt;/span&gt;&lt;span style="font-size:11;"&gt;: 17 &lt;span style=""&gt; &lt;/span&gt;Pàgina final: 23&lt;span style=""&gt; &lt;/span&gt; 2007, &lt;span style=""&gt; &lt;/span&gt;Ciutat: &lt;span style=""&gt;Barcelona, Edicions de la Universitat de Barcelona.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;Virtual Ethnography. Christine Hine,  Sage Publications, London 2000&lt;br /&gt;&lt;span style="font-size:11;"&gt;&lt;span style=""&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Bibliografia&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;ADERVOL. E, M BERTRÁN, B. CALLEN, C. PÉREZ. (2003). "Etnografía virtualizada: la observación participante y la entrevista semiestructurada en línea". Atenea Digital. Nº 3. Primavera.&lt;br /&gt;&lt;br /&gt;ARDÈVOL, E. Catálogo de sueños: las relaciones interpersonales por Internet como producto de consumo Simposio Antropología de los media, XI Congreso de Antropología, Sevilla, Septiembre, 2005.&lt;br /&gt;&lt;br /&gt;ANTAKI, C., ARDÈVOL, E., NÚÑEZ, F., and VAYREDA, A. (2005). “For she who knows who she is:”Managing accountability in online forum messages. Journal of Computer-Mediated Communication, 11(1), article 6.&lt;br /&gt;&lt;br /&gt;ARCILA, F. (2000). Comunidades de práctica: una alternativa de aprendizaje en y para las Organizaciones http://www.gestiondelconocimiento.com/documentos2/arcila/comunidades.htm&lt;br /&gt;&lt;br /&gt;ANDERSON, B. (1992). "The New World Disorder". New Left Review. Vol. 193. May-June. 3-13&lt;br /&gt;&lt;br /&gt;ANDERSON, B. (1993). 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Universidad Miguel Hernández, Elche.&lt;br /&gt;&lt;br /&gt;VIRILIO, Paul, 1997, El Cibermundo, la política de lo peor, Madrid: Cátedra&lt;br /&gt;&lt;br /&gt;VIRILIO, Paul, 1999 (1998), La bomba informática, Madrid: Cátedra&lt;br /&gt;&lt;br /&gt;WIENER, Norbert, 1998 (1961), Cibernética, o el control y comunicación en animales y máquinas, Barcelona: Tusquets Editores&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6257475677944421487-7730713337166110178?l=doctoratantropologia.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://doctoratantropologia.blogspot.com/feeds/7730713337166110178/comments/default' title='Comentaris del missatge'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6257475677944421487&amp;postID=7730713337166110178' title='0 comentaris'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6257475677944421487/posts/default/7730713337166110178'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6257475677944421487/posts/default/7730713337166110178'/><link rel='alternate' type='text/html' href='http://doctoratantropologia.blogspot.com/2007/03/bibliografia.html' title='Bibliografia'/><author><name>Grup de persones preocupades pel futur del nostre païs</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/_8ic3CRKkpxM/S2dcmoKG42I/AAAAAAAAAJE/MSmRtRZ52ro/S220/haddock.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6257475677944421487.post-4490254572661311789</id><published>2007-03-04T11:35:00.000-08:00</published><updated>2007-05-08T15:32:54.211-07:00</updated><title type='text'>Calendari del Curs</title><content type='html'>&lt;span style="font-weight: bold;"&gt;Dia 2 de maig&lt;/span&gt;&lt;br /&gt;Lloc: Facultat d'Antropologia&lt;br /&gt;&lt;br /&gt;16-17 Presentació del curs: Etnografia Virtual: Problemes i teories.&lt;br /&gt;17-19 Metodologia de Treball: El nou Quadern de camp: el BLOQ&lt;br /&gt;&lt;br /&gt;Obrir un bloc i mantenir, llistes de distribució,&lt;br /&gt;Eines que complementen "la llibreta de l'antropòleg": &lt;ul&gt;&lt;li&gt;&lt;span lang="CA"&gt;Correu electrònic: &lt;a href="http://mail.google.com/"&gt;gmai&lt;/a&gt;l i altres&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span lang="CA"&gt;&lt;a href="http://www.youtube.com/"&gt;Youtube&lt;/a&gt;: eina de gestió de videos&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span lang="CA"&gt;&lt;a href="http://www.flickr.com/explore/"&gt;Flicker&lt;/a&gt;: repositori de fotografies&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span lang="CA"&gt;&lt;a href="http://www.mozilla.com/en-US/"&gt;Firefox&lt;/a&gt;: navegador amb codi lliure&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span lang="CA"&gt;&lt;a href="http://www.softcatala.org/prog126.htm"&gt;Open Office&lt;/a&gt;: paquet ofimàtic amb codi lliure&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span lang="CA"&gt;&lt;a href="http://www.skipe.com/intl/es/"&gt;Skype&lt;/a&gt;, &lt;a href="http://www.msnmessenger.ms/es/"&gt;Hotmail&lt;/a&gt;...: eines de missatgeria instantànea&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span lang="CA"&gt;&lt;a href="http://www.netvibes.com/"&gt;Netvibes&lt;/a&gt;: gestor d'escriptori del navegador&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;Etnografia virtual: exemples, possibles estudis&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;Dia 9 maig&lt;/span&gt;&lt;br /&gt;Lloc: Facultat d'Antropologia&lt;br /&gt;&lt;br /&gt;16 a 17.30 Alfabetització Digital: presentació del llibre "Claves de la Alfabetización Digital" Ariel - Fundación Telefónica. Presentació a càrrec del coordinador del llibre Rafael Casado.&lt;br /&gt;17.30 a 19 Acotar territoris: Telecentres. La tasca dels telecentres en el camp de l'alfabetització digital&lt;br /&gt;·  Webs de referència&lt;br /&gt;·  Estudis&lt;br /&gt;·  Actors&lt;br /&gt;·  Bibliografia&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Dia 16 de maig &lt;/span&gt;&lt;br /&gt;Lloc: visita als telecentres de Raval.net i Xarxaantoni&lt;br /&gt;&lt;br /&gt;17 a 17.30 Visita del telecentres de &lt;a href="http://http//php.ravalnet.org/ravalnet/"&gt;Raval.net&lt;/a&gt;&lt;br /&gt;C/ dels Salvadors, 6 baixos&lt;br /&gt;&lt;br /&gt;18:00 a 19:00 Visita del telecentre de &lt;a href="http://www.xarxantoni.net/"&gt;XarxaAntoni&lt;/a&gt;&lt;br /&gt;C/Viladomat 78, 4ª planta  (Estacions Sant Antoni o Poble Sec)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Dia 23 de maig&lt;/span&gt;&lt;br /&gt;Lloc: Can Súris&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:100%;"&gt;El CitiLab de Can Suris: lloc on la ciutadania entra en el procés d'innovació&lt;br /&gt;&lt;br /&gt;Proposta de Pla Pilot Telecentres / Alfabetització Digital a Catalunya: &lt;/span&gt;Territoris, Propostes d'acció, indicadors quantitatius, indicadors qualitatius, Calendari de Treball, Actors&lt;br /&gt;&lt;br /&gt;Els Living Labs, el nou model d'innovació oberta. Presencia d'Artur Serra.&lt;span style="font-size:0;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;Dia 30 de maig&lt;/span&gt;&lt;br /&gt;Lloc: Facultat d’Antropologia&lt;br /&gt;&lt;br /&gt;Presentació individual de les Conclusions: Anàlisi de les propostes&lt;br /&gt;Intervenció d'un artista en Net Art&lt;br /&gt;&lt;br /&gt;Tancament del curs&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6257475677944421487-4490254572661311789?l=doctoratantropologia.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://doctoratantropologia.blogspot.com/feeds/4490254572661311789/comments/default' title='Comentaris del missatge'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6257475677944421487&amp;postID=4490254572661311789' title='0 comentaris'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6257475677944421487/posts/default/4490254572661311789'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6257475677944421487/posts/default/4490254572661311789'/><link rel='alternate' type='text/html' href='http://doctoratantropologia.blogspot.com/2007/03/calendari-del-curs.html' title='Calendari del Curs'/><author><name>Grup de persones preocupades pel futur del nostre païs</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/_8ic3CRKkpxM/S2dcmoKG42I/AAAAAAAAAJE/MSmRtRZ52ro/S220/haddock.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6257475677944421487.post-4960572082326438888</id><published>2007-02-25T03:49:00.000-08:00</published><updated>2007-03-18T13:28:58.999-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='El perquè d&apos;aquesta assignatura'/><title type='text'>El perquè d'aquesta assignatura</title><content type='html'>S’acostuma a associar el que anomenem Noves Tecnologies amb la despersonalització i la fredor en les relacions humanes. Cal, però, donar-li la volta a aquestes apreciacions i veure la tecnologia com un mitjà més que ens pot ajudar aconseguir moltes de les coses que sense ella ens és molt difícil d’aconseguir. En la lluita per d’igualtat d’oportunitat de les persones hi pot jugar un paper fonamental l’ús i, encara millor, el bon ús d’aquestes tecnologies.&lt;br /&gt;Ja son molt els llocs en que s’està aconseguint que les TIC juguin un paper fonamental en el desenvolupament econòmic i social d’una o més d’una comunitat.&lt;br /&gt;Darrera d’aquesta tecnologia sempre hi trobarem l’esforç de les persones perquè aquesta arribi al màxim de gent possible i que aquesta intensitat no només ho sigui en el terreny més quantitatiu si no que la vessant més qualitativa de les TIC ajudi tant els pobles com a les persones. És aquí quan emergeix la figura del que anomenem Connector o pont d’enllaç entre el món evidentment tecnològic i la seva vessant més humana.&lt;br /&gt;Aquesta assignatura farà especial incidència a d’interacció entre les persones que utilitzen les TIC com a seu nexe d’unió. Ciberespai, Cibercultura, Internet Social, seran alguns dels conceptes que ens ajudaran a reflexionar i analitzar aquest fenomen poc estudiat fins ara.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6257475677944421487-4960572082326438888?l=doctoratantropologia.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://doctoratantropologia.blogspot.com/feeds/4960572082326438888/comments/default' title='Comentaris del missatge'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6257475677944421487&amp;postID=4960572082326438888' title='0 comentaris'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6257475677944421487/posts/default/4960572082326438888'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6257475677944421487/posts/default/4960572082326438888'/><link rel='alternate' type='text/html' href='http://doctoratantropologia.blogspot.com/2007/02/el-perqu-daquesta-asignatura.html' title='El perquè d&apos;aquesta assignatura'/><author><name>Grup de persones preocupades pel futur del nostre païs</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/_8ic3CRKkpxM/S2dcmoKG42I/AAAAAAAAAJE/MSmRtRZ52ro/S220/haddock.jpg'/></author><thr:total>0</thr:total></entry></feed>
